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VictoriaS


I'm a student at Santa Monica College and this journal will follow me through my schooling and art projects.
2010.01.01 22:21:06
For those of you who don't know. Anime Los Angeles is an anime convention that happens every January near the LAX airport.
If you've never been to a convention you're missing out. Even if you're uninterested in the subject matter but love fashion. Why? Because of the sheer diversity of clothing found at these events. There's a plethora of costumes and of very origional fashion. People wear things that they normally wouldn't dare. From unusual fabrics to strangely structured outfits and beyond. So even if you don't feel like joining the show this year, I encourage everyone to come see it. It may be a small show but it's certainly a diverse and interesting one.
It's that time again!

The fashion show at Anime Los Angeles is still accepting applications. Last year was such a success that we've been moved from programming to events. What does this mean? First it means a bigger room, more people will be able to see your designs and they'll be on stage for longer. Secondly it means we're on Friday. Being on Friday means that if you're in the dealers room or artists alley selling goods people can come after the show and buy your wares. Which is one of the main points of a fashion show.

Last year we got a lot of EGL entrants. They were all wonderful designs and well made, but it's good to keep in mind that this is  not just an EGL fashion show. Other Japanese or Japanese inspired styles are not only welcome but encouraged. If you have a garment that you're not sure if qualifies but would like to enter anyway, do it! Not a single entry had to be turned away or even commented on last year. So what does qualify? Anything Japanese fashion inspired that you or a friend made that hasn't been in the show before.

The convention is coming up fast. Only a week away. So get your entries in now.

Professional quality is not a requirement either. The point of the show is to have fun and show off while doing it. Even if you don't think your sewing skills are up to par as long as you can wear it it's good. Often times the clothing in high end fashion shows where you have one of a kind pieces for publicity the garment isn't the best made piece in the world. That doesn't stop it from being striking and worth the time and effort. The experience of being in a show is also a good one.

There will be a time scheduled after the show for photographs and the show itself is a good experience. All participants will be taught how to walk a runway so there's no need to worry about that either. :)

All entries should be sent  to:
fashion2010@animelosangeles.org

The form:

Name (as it appears on your badge):

Contact email (that we can reach you at):

Model(s) name(s):
(if you're modeling your own garment just put your name here again)

How would you describe your garment?

Quick sketch:
(This is not strictly necessary, a picture of the finished garment or a good description of it is fine. The point is to show us what to expect in the show and to see if it meets the requirements of the show.)

How long have you been sewing?

Tell us a little bit about yourself and anything you'd like mentioned about the garment(s)?


Tags: ALA | Fashion show



2009.11.13 22:42:03

I come bearing pictures! Examples of tools and stencils. But I'm going to start with some of my prints drying. These have since been finished and have been turned in. The teacher said I either got an A or a really high B on them. I hope it's an A, I think they came out very well and clean. I only had one really bad print, all the rest are lined up perfectly and have very little to no haloing.

A halo by the way is when the print sticks to the screen a bit so the ink doesn't settle perfectly and you get a ring of a different texture. It looks like a halo, hence the name.

Just a note. There are a LOT more pictures beneath the cut. :) So please press read more if you are even vaguely interested.

 





2009.11.13 22:02:09

I felt like these two things should go into a separate post instead of the main costuming catch up one. Often times in class we'll be going over various things throughout history and it gives me ideas for more current clothing using similar design elements. 

 

The image on the left is the result of going through ancient greece. I liked how a lot of the garments were different ways of draping and fastening the same basic shapes. The faux sleeves created by a belt and various ties is one of my favorites.

The image on the right is inspired by several dresses from the 1950's. I've got a large amount of avocado green kona cotton that I've been trying to figure out what to do with since I got it. I'm thinking of making that dress. I haven't completed the sketch yet and am not sure if I want to add more tiny little ruffles or pin tucks or anything like that.

 

 





2009.11.13 21:52:37

Here is sort of a short overview of what we've been doing in costuming. We've gone over a lot, from history to practical costuming knowledge. So I'm going to start with the grade sheet for the class.

Just a note. There are a LOT more pictures beneath the cut. :) So please press read more if you are even vaguely interested.

 





2009.09.24 19:45:16

Hello everyone. In case you haven't read my profile, my name is Victoria and I'm an Art student at Santa Monica College. If you want to know more about my interests and why I'm on the site just check my profile or send me a message on the forums. :) Since I've been in school for a few weeks now I'll do a general recap.

The start of the semester was a bit hectic. For some reason SMC has been cutting down on classes and setting the ones that are available at truly awful times. I've heard that it's because of demand and things like that. But since there are more and more people trying to go to SMC I know that's a lie. Regardless it meant that this semester, since we start a bit later than some of the other schools, we got flooded.

I've only got two official classes this semester due to scheduling conflicts. Many of the art classes are one day a week classes or at the same time as all the other art classes. So in result, this semester I'm taking Theatrical Costuming and Screen printing. I'll be putting up the syllabus for Theatrical Costuming in my next post along with any other notes the teacher gives me permission to post. Although it's not an official class I'm also doing sculpting and a few other things this semester so that should pop up too.

Unfortunately my handwriting is atrocious. I also take excessively thorough notes on occasion, which I wouldn't feel right posting since they're almost transcriptions of the lecture word for word. I will however post up all my drawings from during class and notes about why they are the way they are. Also, if the teacher allows me to draft my own pattern for the final vest project I'll post all of that, including a copy of the pattern.

So far we've gone over about 2600 BC - 500AD through Egypt, Rome, and Greece. So there'll be some neat stuff in there. One of the things I most enjoy doing  in this class is drawing up stylized flats and croquis during class based on design elements from whatever we happen to be going over at the moment.

In other news Screen printing has been a blast. I got all my paper stencils cut out last week and my sheets printed for my photo stencils.

The Screen printing class is cut up into three major projects. Each one has to have an acceptable print run of 5, meaning we print at least 10 of each and pick the best 5. Project number one needs to use all three stencil techniques shown in class. Those three types are: Photo (where you coat the screen in photo emulsion then after it's dry set a clear sheet with your image on it over it and expose it to light in a sealed chamber), Paper (where you just cut out what you want printed from a piece of freezer paper and tape it to the screen), and drawing fluid (which is directly painted onto the screen over which ever area you want the ink to fill, it's then coated with a filler fluid so that once it's all dry you wash out the drawing fluid). Project one also has to be of an illustration. Project two has to involve a photograph and can use any combination of the three techniques and project 3 is a free project. We can not only pick what we're printing (photo/illustration/whatever) but it's a free choice as to what we print on. The previous two need to be done on paper, project 3 can be on practically anything flat.

Apparently most people choose to do T-Shirts for their last project. I think I'm going to make up some doll kimono and print on those, assuming I can figure out a way to register them. Registration for paper is pretty simple, you attach tabs and then attach metal tabs to the table and make sure the tabs are in the same place on every sheet using the metal ones as a guide. This means that your different layers will line up when you start actually printing. I'm not sure how you do that for fabric. Though obviously if people have done T-shirts it can be done. Maybe you stretch it over a hard object? I'll find out on Monday in class and report back with my findings.

The first meeting of The Society for the Study of Modern Japanese Visual Culture for the semester went well. We got a lot of people on the first day this time. I think it's partially due to getting a room so fast. Last semester it took us forever to get assigned a room by the school because they thought we needed lots of equipment built into the room. This Friday we're holding a contest to come up with ideas for our club row booth. I hope we get a lot of submissions.






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